唐桃. 妖孽与忍情——元稹《莺莺传》的女权主义批评[J]. 云南农业大学学报(社会科学), 2013, 7(2): 108-111，118.
引用本文: 唐桃. 妖孽与忍情——元稹《莺莺传》的女权主义批评[J]. 云南农业大学学报(社会科学), 2013, 7(2): 108-111，118.
shu
TAN Tao. On Yuan Zhen's A Story of Yingying from the View of Feminist Criticism[J]. Journal of Yunnan Agricultural University (Social Science), 2013, 7(2): 108-111，118.
Citation: TAN Tao. On Yuan Zhen's A Story of Yingying from the View of Feminist Criticism[J]. Journal of Yunnan Agricultural University (Social Science), 2013, 7(2): 108-111，118.
shu

妖孽与忍情——元稹《莺莺传》的女权主义批评

On Yuan Zhen's A Story of Yingying from the View of Feminist Criticism

    摘要
  • 摘要: 从女权主义视角重读元稹的《莺莺传》将会发现，元稹为了替作者自寓的张生辩护，刻意将纯洁而痴情的崔莺莺诬蔑为不妖其身，必妖于人的妖孽，并不遗余力地把始乱终弃的张生塑造为忍情的君子。从审美层面看，这样的叙事策略极大地损害了作品的思想价值和艺术价值；而从功利层面看，《莺莺传》却是男性作家利用话语霸权在两性交往及个人仕途中谋取私利的典型文本。

     

    Abstract: Rereading Yuan zhens A Story of Yingying from the view of feminist criticism, we will find Yuan Zhen slandered Cui Yingying as a evildoer and shaped Zhang Jun-rui as a self-control gentleman painstakingly in order to defend his inconstant in love, and all of these harm the ideological value and artistic value of A Story of Yingying. But that also shows a male writer can try to obtain profit for himself through the hegemonic discourse.

     

    • HTML全文
    • 参考文献(1)
    • 相关文章
    • 施引文献
  • 资源附件(0)

/

返回文章
返回