杨水平. 象征——论史蒂文斯与爱默生的诗学契合[J]. 云南农业大学学报(社会科学), 2010, 4(4): 103-106.
引用本文: 杨水平. 象征——论史蒂文斯与爱默生的诗学契合[J]. 云南农业大学学报(社会科学), 2010, 4(4): 103-106.
YANG Shui-ping. Symbols: Poetics Shared by Emerson and Stevens[J]. Journal of Yunnan Agricultural University (Social Science), 2010, 4(4): 103-106.
Citation: YANG Shui-ping. Symbols: Poetics Shared by Emerson and Stevens[J]. Journal of Yunnan Agricultural University (Social Science), 2010, 4(4): 103-106.

象征——论史蒂文斯与爱默生的诗学契合

Symbols: Poetics Shared by Emerson and Stevens

  • 摘要: 从象征的内涵、外延和功用三方面入手,对比研究爱默生和史蒂文斯的诗学理论,发现二者的象征理论存在契合。爱默生的象征宽泛而具体,史蒂文斯的象征简洁而抽象;前者兼顾第一和第二自然,后者直指第二自然,即想象世界;前者努力做一名虔诚的教徒,后者却公然宣称诗歌可以替代宗教;前者成就于倡导和阐述,后者建树于理论和创造;二者都着迷于象征,都关注能带给人类灵魂真、善、美的想象世界。

     

    Abstract: Centering on the connotation, denotation and function of symbols, this paper compares Emerson and Stevens poetics. Emerson's symbols are allinclusive and concrete, while Stevens are concise and abstract; Emerson focuses on both Nature I and Nature II, while Stevens aims straight at Nature II, i.e. the imaginary world. Emerson tries to be a devout preacher, but Stevens openly asserts that religion can be replaced by poetry. The former achieves a lot in advocating symbols; the latter earns his reputation for his poetry of symbols. And both are obsessed with symbols, i.e. the imaginary world which brings us truth, goodness and beauty.

     

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