熊健美. 风流敢比林和靖,一样情深作子看——鹤与屠苏《小草庵诗钞》[J]. 云南农业大学学报(社会科学), 2010, 4(2): 107-110.
引用本文: 熊健美. 风流敢比林和靖,一样情深作子看——鹤与屠苏《小草庵诗钞》[J]. 云南农业大学学报(社会科学), 2010, 4(2): 107-110.
XIONG Jian-mei. Loving Crane as Son, This Can be Compared with Lin Hejing: a Research of Tusu Xiaocaoan Poetry Anthology and Crane[J]. Journal of Yunnan Agricultural University (Social Science), 2010, 4(2): 107-110.
Citation: XIONG Jian-mei. Loving Crane as Son, This Can be Compared with Lin Hejing: a Research of Tusu Xiaocaoan Poetry Anthology and Crane[J]. Journal of Yunnan Agricultural University (Social Science), 2010, 4(2): 107-110.

风流敢比林和靖,一样情深作子看——鹤与屠苏《小草庵诗钞》

Loving Crane as Son, This Can be Compared with Lin Hejing: a Research of Tusu Xiaocaoan Poetry Anthology and Crane

  • 摘要: 晚清苏州诗人屠苏,著有《小草庵诗抄》存诗71首。他用澹雅的语言和写真的创作态度摹写出一幅风致澹远的诗歌图景,并在诗中记录下穷困生活中节衣缩食蓄养鹤的全过程。他这种爱鹤情结,折射出末世文人身心无所寄托的真实心境,“鹤”养鹤正是他心灵寄托的一种方式。

     

    Abstract: Tusu, a Suzhou poet of bottom layer in late Qing dynasty, created 71 poems,complying Xiaocaoan poetry anthology, which described a poetic painting with style of light and delicate. In his poem, he showed he was living a povertystricken life and appreciating crane at any circumstance, which revealed the true state minds of the literators in the end of that world: the crane became the pure land of their spiritual worlds.

     

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