张志军. 傅抱石山水画探微[J]. 云南农业大学学报(社会科学), 2018, 12(1): 117-122. DOI: 10.3969/j.issn.1004-390X(s).2018.01.019
引用本文: 张志军. 傅抱石山水画探微[J]. 云南农业大学学报(社会科学), 2018, 12(1): 117-122. DOI: 10.3969/j.issn.1004-390X(s).2018.01.019
ZHANG Zhijun. The Research on FU Baoshi's Landscape Painting[J]. Journal of Yunnan Agricultural University (Social Science), 2018, 12(1): 117-122. DOI: 10.3969/j.issn.1004-390X(s).2018.01.019
Citation: ZHANG Zhijun. The Research on FU Baoshi's Landscape Painting[J]. Journal of Yunnan Agricultural University (Social Science), 2018, 12(1): 117-122. DOI: 10.3969/j.issn.1004-390X(s).2018.01.019

傅抱石山水画探微

The Research on FU Baoshi's Landscape Painting

  • 摘要: 20世纪初的中国山水画正处于由传统向现代创变发展的时期,傅抱石正是这时期的山水画创变成功的一代宗师。他所创造的阳刚大气充满生机活力的新画风,一扫明清以来山水画颓靡与陈腐之气,成为那个时代山水画创新的典范。通过对傅抱石山水画风、创变过程以及笔墨技巧的研究,以期为山水画创作及发展创新提供良好的借鉴。

     

    Abstract: Chinese Landscape painting is in the period of innovation and development from tradition to modern times in the beginning of the twentieth century, FU Baoshi is the great master in this specific times. He created the new painting style of majestic, full of vigor and vitality, this new painting style reformed the dejected and old painting style, it become the new models in that times. Through the research on the painting style, innovation process and painting skills of FU Baoshi, this paper tries to offer references for creation and development of landscape painting.

     

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