窦薇, 许敏. “笔墨”观念的形成与嬗变及“笔墨”与“气韵”关系的探讨[J]. 云南农业大学学报(社会科学), 2017, 11(4): 120-126. DOI: 10.3969/j.issn.1004-390X(s).2017.04.023
引用本文: 窦薇, 许敏. “笔墨”观念的形成与嬗变及“笔墨”与“气韵”关系的探讨[J]. 云南农业大学学报(社会科学), 2017, 11(4): 120-126. DOI: 10.3969/j.issn.1004-390X(s).2017.04.023
DOU Wei, XU Min. The Formation and Evolution of the Idea of Pen and Ink and the Relationship between Pen and Ink and Artistic Concept[J]. Journal of Yunnan Agricultural University (Social Science), 2017, 11(4): 120-126. DOI: 10.3969/j.issn.1004-390X(s).2017.04.023
Citation: DOU Wei, XU Min. The Formation and Evolution of the Idea of Pen and Ink and the Relationship between Pen and Ink and Artistic Concept[J]. Journal of Yunnan Agricultural University (Social Science), 2017, 11(4): 120-126. DOI: 10.3969/j.issn.1004-390X(s).2017.04.023

“笔墨”观念的形成与嬗变及“笔墨”与“气韵”关系的探讨

The Formation and Evolution of the Idea of Pen and Ink and the Relationship between Pen and Ink and Artistic Concept

  • 摘要: 笔墨是中国画的重要组成元素。文章通过对笔墨观念形成与嬗变的历史梳理,明确笔与墨各自发展以及交汇、融合发展的历程。在此过程中,笔墨摆脱造型的束缚逐渐向写意方向发展,最终,笔墨取代气韵,成为了明清时期主要的审美范畴。通过对笔墨观念的历史演变及笔墨与气韵关系的探讨与梳理,文章力图呈现一段中国古典山水画笔墨的发展史及范畴的演变史。

     

    Abstract: Pen and Ink is the most important element in Chinese painting.Through combing the history of the formation and evolution of the idea of pen and ink, this paper clearly puts forward the history of integrative development of artistic element of pen and ink.In this course, the artistic element of pen and ink got rid of constraint of modeling and developed to the direction of freehand brushwork in traditional Chinese painting, at last, the idea of pen and ink displaced the idea of artistic conception and became the main aesthetic category in Ming and Qing dynasty. This paper through combing the historical development of pen and ink idea,exploring the relationship between pen and ink and artistic concept, tried to appear a length of history about the development and evolution of the idea of pen and ink in Chinese landscape painting.

     

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