夏梅花, 明珠, 杨波. 主体的召唤——解读《野草在歌唱》的他者建构[J]. 云南农业大学学报(社会科学), 2014, 8(3): 102-106. DOI: 10.3969/j.issn.1004-390X(s).2014.03.020
引用本文: 夏梅花, 明珠, 杨波. 主体的召唤——解读《野草在歌唱》的他者建构[J]. 云南农业大学学报(社会科学), 2014, 8(3): 102-106. DOI: 10.3969/j.issn.1004-390X(s).2014.03.020
XIA Meihua, MING Zhu, YANG Bo. Subject’s Interpellation:An Interpretation on the Construction of the Other in The Grass Is Singing[J]. Journal of Yunnan Agricultural University (Social Science), 2014, 8(3): 102-106. DOI: 10.3969/j.issn.1004-390X(s).2014.03.020
Citation: XIA Meihua, MING Zhu, YANG Bo. Subject’s Interpellation:An Interpretation on the Construction of the Other in The Grass Is Singing[J]. Journal of Yunnan Agricultural University (Social Science), 2014, 8(3): 102-106. DOI: 10.3969/j.issn.1004-390X(s).2014.03.020

主体的召唤——解读《野草在歌唱》的他者建构

Subject’s Interpellation:An Interpretation on the Construction of the Other in The Grass Is Singing

  • 摘要: 《野草在歌唱》是由英国知名女作家多丽丝莱辛所著,该小说讲述发生在充满种族歧视的南非殖民地白人玛丽的一生及周围黑人的生活。本文着力分析该小说中种族他者黑人及女性性别他者建构,阐释作者如何表现主体通过他者还原和去他者化来建构、召唤他者,进一步解读作为女性作家莱辛的真正立场,即作者虽痛恨殖民主义行为,但其作品仍然受英国主流意识形态的影响,表现出对黑人及女性他者身上他异性的排他性和归化,从而增加了对该小说的研究维度,深化了对英国殖民主义给非洲人民带来的伤害的认识。

     

    Abstract: The Grass Is Singing,written by well-known Doris Lessing,depicts the protagonist Mary's whole life and the black in South Africa with racial discrimination. My paper focuses on analyzing the construction of its racial other and sexual other to set forth how the writer narrates the subject constructs and interpellates the other by way of domesticating the other and excluding the other. In doing so, we can have an acute sense of the writer's real standpoint, as a female writer, that is, although she resents the colonialism, her works can't avoid the influence of mainstream ideology. Her novel The Grass Is Singing shows domestication, even exclusiveness of alterity of the black and female. Through its analysis, it can provide some new research directions and deepen the understanding about the injury of British colonialism to African people.

     

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