启蒙理性与非理性主义视野下的20世纪90年代“大众文化”辨析

The “Mass Culture” in the 1990s by the Perspective of Enlightenment Rationality and Irrationality

  • 摘要: 大众文化在20世纪90年代的出现是改革开放以来中国经济发展的结果亦即中国现代性发展的必然结果。文章从启蒙理性非理性主义以及对崇高、权威、道德等宏大叙事的反叛来辨析20世纪90年代的大众文化。得出大众文化是启蒙理性发展的结果,同时又具备非理性主义典型特征的结论。大众文化在20世纪90年代的出现有着反专制的特殊意义,同时赋予了普通大众以狂欢的方式平等参与社会事务,彰显底层大众的主体性。又由于大众文化具备的解构功能,否定一切权威,警惕其滑入历史虚无主义当中去。讨论大众文化实际上是要求我们学会平衡启蒙理性与价值理性之间的张力。

     

    Abstract: The mass culture appearing in 1990s is the result of China's economic development since the reform and development and is also the result of development of Chinese Modernity. In this paper, the author analyzes the mass culture from the perspective of Enlightenment rationality, non- rationalism and the rebellion of great narration, such as sublime, authority and morality. The conclusion is that mass culture is the result of the development of Enlightenment rationality, and at the same time, it has the conclusion of non-rationalism. The emergence of mass culture in the 1990s has the special meaning of anti-autocracy, at the same time, it endows the general public with equal participation in social affairs in the way of Carnival, and shows the subjectivity of the bottom masses. Because of the deconstruction function of mass culture, it denies all authority and guards against slipping into the historical nihilism. To discuss the mass culture is to require us to balance the tension between enlightenment rationality and value rationality.

     

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