吴丽, 金虎. 仪式化:构建民族认同——以《四万万人民》为例[J]. 云南农业大学学报(社会科学), 2009, 3(5): 103-106.
引用本文: 吴丽, 金虎. 仪式化:构建民族认同——以《四万万人民》为例[J]. 云南农业大学学报(社会科学), 2009, 3(5): 103-106.
WU Li, JIN Hu. Form a National Identity With Ritualism:Taking The 400 Million for Example[J]. Journal of Yunnan Agricultural University (Social Science), 2009, 3(5): 103-106.
Citation: WU Li, JIN Hu. Form a National Identity With Ritualism:Taking The 400 Million for Example[J]. Journal of Yunnan Agricultural University (Social Science), 2009, 3(5): 103-106.

仪式化:构建民族认同——以《四万万人民》为例

Form a National Identity With Ritualism:Taking The 400 Million for Example

  • 摘要: 纪录电影大师尤里斯·伊文思创作《四万万人民》的目的是记录中国抗战、让西方社会了解并声援中国、鼓舞世界反法西斯人民。建构民族认同是实现这一意图的重要途径。通过对世界战时纪录电影的特点和功能分析以及该片的视觉表征解析,指出创作者正是借助特定的影片仪式化的画面语言和战争与革命语境下仪式化的观影活动来建构民族认同。这样的民族认同具有世界性的意味,即全体中国人民族认同的建构过程同时也是全世界反法西斯人民反抗压迫、争取独立自由意识的建构过程。

     

    Abstract: To record the AntiJapanese War of China,acquire more understanding and support from the West,and inspire people participating in the world antifascist struggles are the intentions of The 400 Million produced by Joris Ivens,the great master of documentary.Forming a national identity is an important way for this purpose.Through the analysis of the world wartime documentary,s characters and roles and the visual expression and symbol of the film,this paper notes that the producer formed a national identity with worldwide significance,that is,the forming process of Chinese national identity is also the forming process of the awareness to resist oppression and fight for independence and freedom of people joining the world antifascist struggles,just via the special ritual visual language of the film and ritual activity of seeing a film in context of war and revolution.

     

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